is 3d printing the future of fine jewellery?

Of the 2013 researchers at Princeton University, they created a \"bionic ear\"-capable of detecting a million times higher frequency than the range of human hearing, and the biological tissue is mixed with electronic products through 3D printer.
3D printing was first invented in 1984. now it can produce human organs and limbs, NASA\'s rocket engine parts, automobile chassis, and the whole five.
Multi-storey concrete houses, etc.
Could be the mind --boggling.
The design world also takes full advantage of the possibility of 3D printing, using it to create everything from pottery to lampshade, while the watchmaker uses the precision it provides to create complex mechanisms and the entire table
But while there are many jewelers who support the new technology, others disagree about the use of the technology.
On the surface, there is no reason: the technology of printing directly with precious metals exists, using 3D printers that spray a thin layer of gold dust to form a solid object.
But it\'s too expensive.
More often, jewelers use 3D printers to produce wax or resin molds for models created using computer-aided design (CAD).
Then cast these through the lost metal
Wax Casting-the mold is put into the plaster cast in Paris, pour the molten metal into the plaster, dissolve the wax and leave a solid metal object.
This technology enables designers to make parts that are almost impossible to make by hand.
This means that the joints are more robust, are formed by a piece of continuous metal rather than individual parts welded together, and new 3D shapes can be introduced.
CAD is now part of the jewelry design course at Central Saint Martin and the Royal Academy of Arts, but perhaps the idea of \"casting\" has sent a shudder to more traditional boutique jewelers.
The most prestigious maisons on Bond Street and Vend homme declined to comment on whether they used 3D printing in the workshop, although several of their logos appeared on the website of the manufacturer of 3D printers.
These jewelers cannot ignore its advantages.
Is 3D technology the secret of the jewelry industry?
\"The public has a romantic vision for craftsmen who make everything by hand;
Part of this romance disappears with the popularity of technology, \"said Sean Lane, a contemporary boutique jewelry maker who has been trained by traditional silversmiths and is now integrated for centuries --
The old technology of modern technology, including 3D printing.
Max Shepherd, creative director, Mayfair District
Boutique jeweler & Max, headquartered, agrees.
\"Many people think that the key to luxury is history and craftsmanship.
Some brands fear that they use technology to make things faster and cheaper.
People don\'t realize that it can be used as an art tool.
\"Some brands have made breakthroughs in technology.
Chanel\'s 2015 fall/winter fashion collection includes a floral jacket made using selective laser sintering (a form of 3D printing), which the company acknowledges has used in its premium jewelry workshop,
\"3D technology is a tool that helps explain complex designs, for example, very complex buttons or completely symmetrical works,\" explains George Amir, head of sourcing and development at Chanel . \".
The house uses it to make a variety of explanations for a particular handmade design, including its lion head, so it is evenly asymmetrical regardless of size or form.
However, Amir pointed out that 3D printing is an exception, not the norm.
\"We encourage the development of the best traditional jewelry --
Make skills by asking our craftsmen to be able to make a piece completely by hand.
Other jewelers embrace the potential of technology more passionately.
Raymond Graff, production director at AtGraff, invested two 3D printers in the company\'s Bond Street car room, allowing design components modeled using CAD to be printed in resin and cast in precious metals.
\"When I said to the people in the workshop, \'I just saw the most amazing machine,\' their faces fell off,\" Graff recalls . \".
\"They said, \'The machine will take away our jobs, \'and I said, \'No, it will help you at all \'.
I had to go and buy another one six months later.
This is your technology.
If you don\'t move, you will be left behind.
For Graff, the secret of using technology is to combine it with traditional technology.
\"CAD and 3D printing are tools.
You have to be a pearl dealer to know how to assemble these parts into a piece of jewelry.
Everything is handmade. finished.
Bentley is known for its hand-made, but some of Bentley\'s components are made with the same machine as the technology we use here.
His views were echoed by many other 3D Technology supporters.
\"We paint, sketch, and paint with watercolors, just like in a traditional jewelry store,\" says Sean Lane . \".
\"I think our CAD designer is an electronic Goldsmith.
He trained on the bench for many years and learned about the art of Goldsmiths through and through.
We always set up, carve or Mount 3D-
Hand printed parts.
It is important to maintain this human touch.
\"Goldsmith\'s annual Goldsmith Expo shows the best and brightest designers in the industry --
Some of them use CAD and 3D printing.
David Mills, director of communications and marketing at Goldsmith, said: \"We support new technologies, but we also encourage jewelers to develop their traditional skills because the best work combines the two.
\"The hand-made work always has minor flaws that capture the soul of the manufacturer.
If you just do something with 3D technology, you can lose this human element.
Leane agreed: \"jewelry made purely using CAD is almost perfect.
I think the work has lost its character.
There is no such concern at Graff.
\"Graff is about perfection and passion,\" says Raymond Graff . \".
\"We use technology as a tool to make us more accurate.
For example, CAD technicians can ensure that a pair of earrings are accurately mirrored by flipping the digital model, and can calculate the exact size of each stone needed to avoid waste from the perimeter of the Eternal Ring.
It also improves efficiency, allowing Graff to print and cast 500 components at a time, without deformation and shrinkage associated with conventional wax casting.
\"This machine has helped us break the line and make more complex parts than we would have done,\" Graff said excitedly . \".
Using technology to push the boundaries of art is the foundation of the spirit of Guy and Max.
Max Shepherd and his brother Guy printed an entire engagement ring for the first time in 2005, and they dubbed themselves \"digital Goldsmiths \".
However, they are opposed to the use of 3D printing to replicate manual design or jewelry parts.
\"It\'s nonsense for me to copy a ring that can be handmade with a computer,\" Max said . \".
\"Technology should be used to experiment and make shapes that you can\'t create in any other way.
\"The brand\'s digital nature series uses honeycomb-
Just like the gold grid of hanging gems, and the algorithm series is inspired by the Windows \"3d dots\" screen saver, the overlapping gold tubes are criss-crossed
Travel around the gems at will.
This is the result of a complex computer algorithm where no two pieces are the same.
This is a great feat of digital engineering.
But does it lack personality?
\"Anyone who suggests digitization to make things too perfect has never seen me swearing on a computer for 15 hours! ” says Max.
\"The soul is in the process of designing and thinking behind it, not just its physical features.
Max said: \"CAD programs that rely on templates and components give technology a bad name.
\"For proper use, computer modeling should be equivalent to carving objects with clay.
It requires great skills;
It\'s just that these tools are digital and not physical.
It takes years of experiment and practice.
But some software allows you to combine things that already exist.
It takes all Goldsmith knowledge away from the process and limits creativity to goals that can be achieved within the scope of the project.
If used properly, the only limit is your imagination.
\"Perhaps the attitude of the jewelry industry towards 3D technology comes down to the fear of new technologies in traditional industries.
After all, as David Mills points out, \"something that is now considered traditional was considered a new technology when it was first introduced.
This is the essence of technology.
Raymond Graff is characterized by being more forthright.
\"I remember saying 35 years ago, \'I don\'t need a computer. I have a secretary.
If you want to take the lead in this world, you have to take the lead in technology.
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